The latest publciation in the Cambridge Elements in Beckett series is titled Absorption and Theatricality: On Ghost Trio and comes from the University of Reading’s Conor Carville. It is a welcome intervention on such a lightly studied work and promises to encourage further research in the area.
As the publisher’s note asserts: ‘Samuel Beckett’s 1976 Television play Ghost Trio is one of his most beautiful and mysterious works. It is also the play that most clearly demonstrates Beckett’s imaginative and aesthetic engagement with the visual arts and the history of painting in particular. Drawing on the work of Stanley Cavell and Michael Fried, On Ghost Trio demonstrates Beckett’s exploration of the relationship between theatricality, absorption and objecthood, and shows how his work anticipates the development of video and installation art. In doing so Conor Carville develops a new and highly original reading of Beckett’s art, rooted in both archival sources and philosophical aesthetics’.
Most welcome is the news that the book is downlowdable for free for the next two weeks here. We would strongly urge all members and interested parties to avail of the offer.
The Samuel Beckett Society 